Everyone is familiar with Peter Pan, J. M. Barrie's story of the boy who never grew up. For the past 30 years, Broadway and Hollywood have taken turns telling the story behind the story of how Barrie came to write the classic.First it was a play in 1998. Then, in 2004, it became a movie. In 2012, it became a Broadway musical.
So what's the connection to Heidi Klum?
|"I went to see 'Finding Neverland' with my kids!"|
And in her spare time, shot a few promotional pictures. Right....
The 2004 movie was released by Miramax, then owned by Bob and Harvey Weinstein. Sound familiar? Harvey Weinstein is the husband of designer, Georgina Chapman (Marchesa), frequently featured as a judge on Project Runway All-Stars. Harvey Weinstein produced Finding Neverland, The Musical. Harvey Weinstein produces Project Runway, too!
|That's Harvey at Fashion Week.|
So that's the complete connection from Broadway show to Runway show. Toss in the promotion of the new prequel movie to Peter Pan, "Pan" (not produced by Weinstein) and you've got another cross-promotional episode.
Let's recap all this commerce, shall we?
Bills gotta get paid somehow and these cross promotions pay them, I guess. In a season chock full of promotions, however, what was the benefit from featuring a show that's been open on Broadway for half the year already?
|"I swear I was inspired by it."|
But the most exciting development this week was that THE DESIGNERS RETURNED TO MOOD!!!!!
|"What took you so long?"|
And it didn't help at all.
|"Designers, this is what we call a 'fabric store.' You are free to remove the bolts from the shelves but you must ask an employee to cut the fabric for you."|
Seriously, you keep them out of Mood all season long and expect them to find something in 30 minutes?
|"Look at all these fabrics..."|
|"Fabrics, fabrics, fabrics..."|
Confirming once and for all, whether producer-culled or designer-selected, the issues remain the same....
|"Do I want this fabric?"|
|"Maybe I want this fabric."|
|"Or maybe these..."|
|"Oh no....this! This!"|
|"Nah...I'll just get this."|
|"Excuse me...does anyone know where the most expensive fabric in the store is?"|
|"Is this it? Right here?"|
|"I'll take exactly one yard."|
And then...there's the allure of the ombré....
|Even the Mood guy in the Pharrell hat isn't so sure about that ombré. In fact, he's ready to make a break for it just in case she changes her mind.|
She could have asked Edmond, who watched every episode of Project Runway, and he would have told her that sometimes, ombré goes horribly wrong.
April Johnston's inky "bride of Frankenstein" dress...
|Karen Batts' Glamping Challenge dress from Season 12. Zac said it looked like "runny eggs."|
Still, it really was nice to see the designers back at Mood, making bad choices.
|"Don't be strangers, ok?"|
Usually, I have a bunch of things to say about the guest judge. This week, it was the fabulous Coco Rocha, whom Heidi kept calling "Coo-coo!" Hmm... Twice during the episode, Heidi leaned over and asked, "And what do you think, Coo-coo?" Thing is, Coco's thoughts weren't that interesting.
Her strengths lie in the analysis of the modeling profession--how models are influenced, pressured and used. She is a dancer and understands movement. She is a chameleon--able to change her hair, face, and approach for whatever the campaign requires. To that end, her talents as a judge are much better suited to "America's Next Top Model" where she is frequently a judge, than she is to Runway. I don't think she spends a lot of time thinking about how clothes are constructed.
This challenge, Swapnil decided to pull out all the stops. He was inspired by J.M. Barrie's Scottish heritage, which prompted him to go for some tartan.
Instead, he got a Glen plaid.
Technically, this isn't what we would think of as a Scottish tartan. It's certainly not associated with a Scottish clan. According to Wikipedia, the name came from a New Zealand-born, Scottish Countess. The then Duke of Windsor made it popular in the late 1920's.
This outfit was safe, much to Swapnil's surprise. He must not have seen the other looks. A tartan would have made the look more dynamic. As it was, the Glen plaid blended into grey. The contrast of hard and soft textures was interesting but the straight-line hem on the top overlay abruptly cut the piece in half. It wrecked any potential whimsey the garment could have had. Swapnil has the goods. He sews quickly and skillfully and he has imaginative ideas. What he lacks, challenge after challenge, is attention to detail. At one point, Zac implied that Lindsey could benefit from some of Swapnil's imagination. I think Swapnil could similarly benefit from a dash of Joseph Charles Poli's attention to detail.
Merline chose spectacular beaded fabric for the dress and proceeded to drape something that looked like a Belle Epoch gown--very appropo for the musical, which was set in that era. Still, she sought to give it that "Merline Edge." The edgy boned sleeves were lopsided and messy and unfortunately dropped her into the safe zone. While this was a beautiful dress, it was all about the fabric. Had those sleeves been better engineered, it could have contended for the win. Merline's instincts were strong, but her execution was just a bit off.
Kelly had immunity this week and wisely chose that to showcase a more glamorous look. Again, fabric choice totally carried the day. The judges responded well, but I thought the fabric bordered on tacky. Sequined lace is exactly the sort of fabric I walk past at the fabric store. I also thought her black dress was poorly constructed. Heidi noticed right away that the seam was in the front.
Zac said the jacket looked like a muppet. Nina said the outfit needed the drama. After all, it was a challenge inspired by a Peter Pan musical, right? The top underneath the muppet jacket featured some appropriately theatrical.
Candice spent the first part of the episode outing her parents.
|"They were drug addicts."|